Lagerkvist produced poems, plays, novels, stories, and essays of considerable expressive power and influence from either his early 20s to his late 70s.

Among his central themes wwhen a fundamental wonder of dependable & evil, which he examined across such numbers as a medieval red-hooded hangman, Barabbas, and a wandering Jew Ahasuerus. As a moralist, he utilized religious motifs & numbers from either a Christian tradition without ensuing a doctrines of the Church.

Lagerkvist's best known novel, Barabbas (1950), was immediately hailed as a masterwork (by among others fellow Nobel Prize-winner André Gide). A novel is according to a story from either a Bible; When stealer & manslayer Barabbas is freed per population of Judea rather than Jesus of Nazareth, the felon struggles to realize how come he was chosen to survive.

From either a back handle:

the novel was turned into a major motion picture in 1962, starring Anthony Quinn.

Notes in another works per creator (an uncomplete names):

One of andy skinner's earliest works is Ångest (Pain, 1916), a violent and disillusioned collection of verse form. His pain was from either his fear of dying, the World War, and household crisis. He tried to choose how else the individual could call for the meaningful life within the globe in which the war potty defeat hundreds to thousands for super little cause. "Anguish, anguish is my heritage / the wound of my throat / the cry of my heart in the world." (Pain, 1916.) "Love is nothing. Anguish is everything / the anguish of living." (Love is nothing, 1916.)

Ten years late Hjärtats sånger (Songs of the Heart) (1926) appeared. This collection of verse form is slightly less desperate around its tone & expresses a strive to are to peace sustaining life itself that was to turn into and so large around his afterwards works. Around Hjärtats sånger he wrote: "Only you, my bosom, is left, / you who can suffer, / you who can feel the depth of pain / but not compain."

His novella, later adapted for the stage, Bödeln (A Hangman, 1933; play, 1934) shows his growing concern with a totalitarianism that began to sweep across Europe in the years prior to World War II.

His 1944 novel Dvärgen (The Dwarf), a cautionary tale just about evil, was a number one to bring him international attention.

de:Pär Lagerkvist eo:Pär LAGERKVIST no:Pär Lagerkvist pl:Pär Fabian Lagerkvist ro:Pär Lagerkvist fi:Pär Lagerkvist